Artists Who Work in Wood

I found a wooden goblet covered in detailing of grape vines that is made by Nairi Safaryan. This artist always works with art, and he just won The Grand Prize at the Carving Artistry Contest that is sponsored by Pfeil and Woodcraft Magazine for his finely detailed jewelry box. He has always worked with wood, but it was not said what kind of wood he works with. His projects take an immense amount of time and detailing because he lives up to his label as “Master Woodcarver.”

This goblet has fine detailing of vines and grapes. The stem of the goblet is shaped after the main stem or root of a grape plant. The wood that is not detailed, along the top and base, is very smooth and has no ridges. The detailing of the goblet is very fine because the vines go in many directions and the leaves and grapes have details, and they vary in size and shape.

This work of art is one of many household object that Nairi creates, but the art always has a spin on it. This object is very balanced and light when you compare the detailing to the smooth areas of the goblet. The detailing doesn’t overpower the artwork, and it looks exquisite.

I personally don’t think this artwork holds any hidden meaning behind it, other than it is a goblet or a wine glass, and it has the detailing that adds character to the glass. I don’t think this artwork was difficult or took long with Nairi being a “Master Woodcarver” either. The detailing makes sense in the way that grapes make wine, and wine is drunken out of a wine glass.

The goblet is beautiful and it has very precise detailing. The idea of grape vines on a wine glass is very common, so this artwork is not very unique. The artist did however go above those other glass wine glass by using wood, and that allowed him to add finer detail. The artwork is eye drawing because of the intricate detailing of the grape stems, leaves, and grapes. The element of art used is shape.

Websites used:

Photography Expectations

I took Photography as a class this year because taking photos is already something I am interested. I wanted to learn how to work a camera to its full extent properly. The place I want to be with my photography is that I want to be able to take a breath-taking, unique photo. I do not know my future goals as of right now, so I taught photography class would help me decide if I want to be a photographer. I enjoy taking photos as a hobby, and I wanted to see if that could become a career. My teacher can help me reach these goals by giving me detailed advice and instructions. I want to not only take good photos, but I want to be able to operate a camera successfully.

3D Art Final

This year in art, I’ve learned how to use plaster, clay, wood, metal, and clay. I’ve made projects for fun and some to be informative. This user I have accomplished how to made a ceramic bowl, whistle, and tile without it exploding or cracking. I had realistic goals and I would like to believe that I accomplished those goals with each project. I wanted each project to look great, but also come out to something that I can use and be proud of. I want to be able to use these experiences in the future when I take other art classes, in or out of school.

Next year I’m planning on taking photography and I want to take ceramics in my other years of high school because I really enjoy that unit this year. In the future I want to make more sophisticated pieces of art that look even better when I get more experienced and spend more time with each material. If I want better results with my work in the future, then I need to take my time more on focusing on what abilities I struggle with, instead of looking around at what I can’t do or what doesn’t look good. I believe I will get better by doing that. I need to gain confidence in my abilities of what I can do instead of what is out of my reach.

Something I think I did well was that I really worked hard on my projects, especially the ceramic projects. I came in during my free periods and I made use of my time in class. When I struggle with something I push myself to make sure I finish with the problem and better myself. I will continue to push myself and make artwork that speaks to me. I learned not to get frustrated when a project doesn’t come out what I originally planned it to be like, but I still accept it and look to improve it.

The most challenging part of this class was working with wood. It split and splintered since it was a very different type of wood than what I normally work with. I also struggled with the metal wiring and paper were difficult because I always got cut or stabbed by the material. To overcome my struggle with wood, I took my time and instead of using the exacto knife to cut everything for my consumerism gingerbread man wood project, I sanded most of it. My project came out very nice, and it looked very finished throughout.

New skills I use now are that I actually make some of my own shadow books of my own at my house, not just in class. I’ve learned to be patience and learn to accept the outcome of my work more. I can use this in my future education when I don’t get a good grade, because I can understand that I have another chance to improve my grade, and my grade doesn’t reflect who I am as a person. This experience reinforces something l learned before, because there is a saying that states,” Its not what is on the outside, but what is on the inside.” I think this is very important in school, art class, and everyday life.

In my wood work I incorporated consumerism and form. In my paper sculpture I incorporated instrumentalism and shape. In my clay tile I incorporated place, identity, color and form. I used form and color on my ceramic whistle. On my metal metaphor project, I used juxtaposition and shape. I used balance in every piece of artwork I have made. I used form, shape, and color when making my plaster sphere.

Metal Metaphor Sculpture

IMG_3198IMG_2755IMG_2756IMG_2757IMG_2759For this project, I decided to construct my sculpture based on the metaphor, “The dancer was as graceful as an eagle taking flight. This project was supposed to show juxtaposition between a dancer and an eagle. This metaphor means that the dancer did an amazing job, and she danced elegantly, as a professional would. An eagle is known for having powerful, stable wings. Comparing these two objects means that they are both talented and skillful. I will be using metal wiring to make an exoskeleton of an eagle, mesh wiring to covered the eagle, and gold metal to cover and form ballet shoes. My eagle will have it’s wings extended, and it’s claws will not be shown, but instead ballet shoes will be in it’s place. The element of art used is shape. I could used less glue when constructing the eagle, but I liked the way it turned out. The wings came out symmetrical, but the project was a bit messy or rushed looking.

Ceramic Scenary

IMG_2619.JPGThis project’s assignment was to find a image of a scenery that interested the artist, and to depict the project as accurately as we can on a 5 inch by 5 inch clay tile. I chose a picture of the French Quarter in New Orleans, Louisiana. This place shows where I want to live, and it shows the identity of what the community is like, which is vibrant. I chose this picture because I want to live there after graduating high school. In comparison to the whistle project the whistle was more difficult. Even though this project had much more detail needed, I struggled to whistle into a elephant. The first whistle I made was too wet, so it caved in, and I had to make a completely new whistle in a shortened time period. I also dealt with adding heavy pieces onto the whistle, where as this project didn’t require that much clay to be added on. This project did have it’s struggles while trying to scrape away clay to create a leveled effect, the clay didn’t cooperate as much as I would have like. Since this project was large, pieces dried out at different times, so I dealt with parts that were too wet or too dry. I was surprised at the color the building turned out to be. It was much more vibrant than I expected, but it resembles a rustic color, which is what I wanted. The project I enjoyed the most was probably the elephant whistle because I think that a clay whistle is such a cool creation, and I spent so much time on that project, that I can really appreciate it. The element of art used is color.

Ceramic Elephant Whistle

IMG_2618.JPGFor this project, I made an elephant shaped, ceramic whistle. I successfully made the whistle work, by getting a sharp sound out of it. Another thing that I viewed as successfully was that my project didn’t crack while in the kiln and my project was smooth and had no excess clay to make bumps. The most challenging part of glazing my project was getting the right color. When mixing glazes to get the color that I wanted, I didn’t lighten the black enough to paint the head. The eyes were supposed to be the pure black that the glaze originally was, while the rest of the head was supposed to come out a light grey to resemble a real elephant. If I could do this project again differently, I would curl the trunk upwards instead of tucking it in, and I would definitely lighten the coloring of my glazed head to a light grey. I used the element of art known as form when I shaped the elephant and made dents to show aging.

Ceramic Elephant Whistle


My assignment for this project was to construct a whistle that worked, and the whistle had to be creative and neatly constructed. I decided to make my whistle into an elephant head because I wanted my project to be detailed. The elephant has grooves throughout it’s trunk and the project has grooves near the location of the eyes. I thought of an elephant because I wanted to add a realistic project, and I thought the trunk would be an interesting detail to add.

If I had to compare the difficulty of my pinch pot(ceramic bowl) to my elephant whistle, I would have to say that the whistle was more difficult. When I first constructed my simple whistle that had no detail added to it, the bottom of the whistle collapsed. With my whistle I had to add a lot of extra clay, so I had to really work it to make sure there were no air bubbles(it could explode if there are pockets of air). It was also difficult to add the detail and smooth the clay to the original whistle because I had to make it look like the whistle was made from the same piece of clay, and I had to make sure I didn’t smash or break my whistle. Luckily I didn’t not have an issue with the whistle working throughout my project because a major part of the project is if the whistle works.

The project I enjoyed more would be making my whistle. I was able to add much more detail, and I could be more creative with my project. I was surprised by the amount of difficulty I had with this project’s ears. I constructed many ears, but I had issues with tearing(clay was too wet) and cracking(clay was too dry). When I tried smoothing the ears to the whistle, I had difficulty getting in the awkward angle the ears were attached. After quite some time, I successfully smoothed the ears while keeping the ears at the same angle because I wanted the elephant’s ears to be realistically positioned.

To complete this project, I will add glaze. I want the majority of the elephant to be grey, but I will paint the rims around the eyes, the tusks, and the grooves carved into the trunk, black. The element of art shown is form.

Ceramic Sgraffito Pinch Pot


For this project the assignment was to create a sgraffito, ceramic pinch pot(bowl) out of clay. I used the pinch method, which is using your hands and pushing your fingers from the inside and the outside of the clay to create a thin wall that is the same thickness throughout the project. I used the sgraffito decoration technique, which is putting black glaze on your clay project and carving away the glaze to create a design. If I could change anything, it would be that I could of worked more efficiently and carefully to make my carved design (sgraffito) look more professional and clean. I didn’t scrape all of the glaze away form my clay, so after the project was fired, the black is in the white colored clay. I like my design because it reminds my of ancient blueprints/drawings of tunnels. The shape of my bowl came out the way I wanted it to(wide and short). The top of my project isn’t completely level, but it is smooth. The inside of my project is smooth, which is great because we were supposed to used the rib tool to clean out bumps. I think this project was successful with its form and design choice, but I should have scraped all of the glaze out and leveled the top better. The element of art used is color.

Thinking and Writing About Your Work


Artwork I founded


My Artwork

The title of my artwork is, “Awareness and Causes of Depression.” My initial ideas for this project were to express how deeply someone can be effected by an event or many events, and how that event changed their mind, causing them to spiral into depression. I think I communicated my message very well because I added detailing that showed causes were, and I think the feeling you get when you see my project also carries my message across to the viewers.

What I found easy during this project was coming up with ideas of how to send my message across to an audience. What I found hard was trying to configure those ideas into on project. I came up with so many ideas, that I had to narrow them down to fit into this on shadowbox. I am pleased with my artwork because I feel my message comes across, and this shadowbox took me a lot of time to construct because I put so much work and effort into it.

The mood of my artwork would be worrisome, scary and said. The theme I used for this project was how someone is effected by events that lead them into depression. I think I have explored my theme using visual language by putting in a symbols of events that really effect someone’s emotions, and that puts and mood or light on my topic.

There are no links between this artwork and my formal artwork, other than that I used a shadowbox for my artwork. From the artwork I have found, the similarities are that we both involved the brain or mind into our artwork, and we both used black to convey emotion. The main idea I have learned from looking at other’s artwork is that the mind is a very important concept when symbolizing depression, and that without the effects of the mind in a piece of artwork shown, the artwork can’t truly symbolize depression. The element of art shown is shape.

Literary Shadowbox Reflection

img_5916For this Literary Shadowbox, I represented the book, “A Thousand Pieces of You,” written by Claudia Grey. I included a office building, located in the front, the Eiffel Tower, located on the left, and a building that would be seen in Moscow, located on the right. These location represented the locations visited in the story, and they are seen in the order that they were traveled to in the book. This book is centered around the main character being able to travel to different dimensions that show the different possibilities of life that can be lived. I wanted the audience to look at this artwork and see the possibilities that are available. I left space in the center of the project to symbolize that possibilities that have not occurred yet or been seen. I would view this artwork as a success because I feel like I interpreted the book in an art format very well. I feel like a major part of the book I used is incorporated into my artwork. The principles of design I used was balance when I kept the building the same height, showing that these locations hold the same importance. The element of art is shape.

Final Paper Sculpture Reflection

img_0373This project involved finding a topic and symbolizing it. I was interested in the topic of depression because it effected my close friend. She luckily got help, but it was a struggle because she struggled with suicudal thoughts. When making my project I added the words, “RIP” on a casket because it represented the death of her grandmother and her having suicidal thoughts and actions. The rose on the front represents a flower someone puts on a casket when a loved one dies. It also represents that a part of the person with depression is now lost along with their loved ones life. I added a check in the project because I wanted to represent the worry and stress of paying bills can cause someone to be depressed or their depression to worsen. The broken heart represents someone being hurt or having the feeling of isolation. There is black paper as the back, because I wanted it to represent the darkness and isolation someone with depression feels. The black paper also represented how the person who was once there is now covered and hidden with something darker and lonelier. I put these elements in the space where I cut a human brain. Behind the human brain is the haunting of depression. The principles of design and elements of art I used were contrast and color when I used black paper in the back of my project. I also used space when I positioned everything inside of the brain, so everything was clearly seen. I thought using paper was a fitting choice because paper can rip easily, and even when you glue or tape it back together, it can never go back to what it was. I made a shadowbox because it represents the endless causes behind depression, and it shows the layer of what a depressed person feels. After making my shadowbox, I put a light behind the project and it transformed. Putting black paper in the back helped the shadowbox have a sinister look to it. The black paper added more depth to the shadowbox, making it more enhancing to look at. If I could change anything, I would take more time on making my details more precise. I would have cut straighter and make it look less messy. I felt strong with my idea of what I was going to make and how I was going to show it. I had the plan of what I was going to do when I started, and that helped me immensely. I would view this artwork as a success because my goal was to give people who saw it a understanding of how much depression affects someone, and how events in life really affect how someone lives, thinks, and acts. The element of art is shape. This art shows instrumentalism.